all three tracks are solidly grounded in the blunt, toe-stubbing funk thats become a trademark of berlins vakant label, home to mega-talents of minimal like alex smoke, mathias kaden, onur Özer, and robag wruhme..

the next instalement of vinyl madness by one of the hardest men in germany, robert natus !! 24.04.2006

next hard techno imprint, comes from the abstract stable, running by sven schaller aka kaoz..

a mix between low minimal wounded grooves and abstract melancholic sounds with groovy funky tech/house sequences. nhar always aims on the hypnotic moments in music and plays some tricks on your mind. listen carefully // nhar is a member of 22 crew and he worked already together with jennifer cardini & electric indigo...

superb stompy and straight techno four tracker on the new chicago/hardtechno label six feet under from kaoz (abstract/proud).. extremly pushing vocals !! supported by sven wittekind, robert natus, marco remus and dj rush

here is the long awaited solo release debut from abstract records labelhead dj kaoz ! four track ep with beautiful straight running drumparts and a sven wittekind remix with an extreme portion of hardness !!

iwaris first compilation showcases all new material by scape one namke communication and vector lovers as well as the debut from robokid and monofonix

huge ep by producer eli and ashley knox on guitar serving a mix of blend spoken words abstract soul classic house bruk beats and afro cuban rhythms feat the vocals of lindah e and firing percussions by isaac aesili of the open souls

1st release on parisian label warm music. track taken from babamars first album ' whatever happened to our pionners' it's no one else than missive founding manager p-o and procuder mister j to take control of the a side. a classic missive production . funky minimal and 100% dedicated to the dancefloor. on the flipside , multi artist inabeathead , this french-american producer and designer shows us is cinematic view of babamars's track. abstract breakbeat for a journey into his universe. first inabeathead album will come in oct 2005. b2) is the popy original version : vocal electro tune that rocks the dancefloor

superb hypnotic clicky tech house w/ deep trippin abstract sound atmosphere

hailing from japan these guys dont muck around, the even make up there language and sing what ever comes to there heads whilst recording and underpinn it with beeping, quirky melodies sounding as if played on kids instruments - a loose percussive disco rhythm tries to keep everything togeter a bit but stumbles from time to time - cute, oddball and over the top at the same time like a takashi miike comedy. the idjut boys stretch the cut to a maximum disco workout and even generously treat us with a sizzling, stripped down and abstract bonus version

second sampler from alex attias visions imprint with a big variety of styles from funky electro ish vocal over abstract hip hop to a dirty jazz loop big tune

wari's first compilation, the suitably titled 'our friends electric' ep showcases all new material from scape one, namke communications and vector lovers, as well as debut tracks from robokid and monofonix - two of the uk's most talented and undiscovered electronic artists. each of the five tracks offers a different perspective on the labels electrocentric output

excellent abstract minimal jazzy -electronica!! cristal clear analogue sounds with nice programming..a special tip for fans of sahko and sleep archive..

excellent abstract hip-hop instrumentals with forward-thinking arrangments, swift cut-up techniques and dark jazz licks

welcome to stereorama, first release by french duo (shippin,g next week), one ex rocker (psychedelik carpet) & one ex b-boy (double n crew).the sound? 3 tracks electronic abstract for your best pleasure …

sweat (on the walls) is a slightly darker, powerful and minimal-acid-driven track. the spoken word give the track its special attitude - a sure shot for the dancefloor. steppaon b1 comes in a very reduced sound-outfit with abstract spoken word fragments and a slightly broken, cristal clear rhythm construction

great remixes to mr.negative s eccentric clubsmash: freaks hit hard with sparse, stripped down mix mashing up analogue bassline, random string sounds and some 80 s sounding key chords here and there - the result is abstract, wiggling disco-funk delight. sassse aka freestyle man takes a techier approach with a robotic effect on the voice sample, pushing oldschool bassline, scratches and sparse percussion build up in classic wild pitch style to some irresistible floor frenzy

abstract freakin experimental electronix

its peaktime floor action all the way on this tracky houser. on the reverse, happy feet is another bass-driven cut, with more great percussion, a stabbing male vocal snippet, and warbling synths. last up is drive straight, completing this set of tracky peaktime numbers with a hooky synth line and pumping bassline, while an abstract vocal stab duels it out with tight crisp beats for second billing.

a minimal sexy quirky groover. astonishing 3 tracker from chicago based producer warmdesk that could roughly be described as reduced deephouse but exceeds the genre by far with a a rich, colourful palette of surprising, individual sounds

tom mudd follows up brass cultures with another collection of genre pushing electronic music. sitting between the hermetic focus of bill orcutts solo guitar recordings and autechre at their most abstract.

reissue , fŸr fans von detroit techno, global communication, black dog, manuel gšttsching, tangerine dream, susumu yokota, klaus schulze.

standard cd im softpack cd mit artwork von fett burger

first official mix compilation from mount kimbie

future sounds of jazz vol. 14 - compiled by permanent vacation benjamin fršhlich & tom bioly! 28 tracks by move d, roman flŸgel, slowdive, isolŽe, cobblestone jazz, luke abbott, remixes by avalon emerson, russ gabriel, kassem mosse, i:cube a.m.o. including 3 exclusive and previously unreleased tracks!

this is gajek. this is 17. come in, feel free. dont worry if you see a flute in the sink. matti gajek s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: ãtotal freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

the latest transmission from the world of gunnar haslam, kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. an incredible work that is not easy to pigeonhole, kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

3 cd pack with t e c h n o

solaronemusic is proud to announce this special record. andreas left us suddenly at june 20th in 2016 after long health problems. around that time we finished with him - the worst of gehm - release. he was so happy about this project!!! even one week later we got the terrible message that he died. we put alot of love and effort in this project to give him his last big monument! special thanks to all his friends and labels like mathematics recordings, abstract acid, creme organization, psycho thrill and of course bunker. rip in andreas! we will never forget you!

der umtriebige frankfurter dj, produzent und running back-labelbetreiber gerd janson hat sich zu einem der profiliertesten connaisseure und trendsetter der elektronischen musik mit weltweiter ausstrahlung entwickelt, was nun in einer eigenen fabric-cd-ausgabe gipfelt. auf dieser bietet janson ein stilsicheres, fabelhaft fliessendes mixset aus cosmic-disco und acid-house, das sommerliche sonnenauf- und untergŠnge perfekt in szene setzt.

very limited stock release on atom tm + material objects no. label. by garry bradbury, ex member of the 80s band severed heads. no. return with a new addition to the abstract 300 series by one time member of the influential australian electronic project severed heads: garry bradbury. sydney based bradbury is known for his boundary bending audio collage and analogue synthesis outbursts and has a career spanning three decades and is still blazing well into the 21st century. here he presents his 5th solo album for no. yakovlevian torque might be the most diverse no. release to date combining audio sources such as traditional found sound tv samples to analogue and digital synthesis. always on the verge of being slightly humourous, silly or deadly serious, bradbury balances moods and emotions, making this album not just a journey into his own mind. yakovlevian torque is a 13 track work out worthy of your attention deficit disorder

opfer is a new project by dutch artist ian martin and belgian artist sebastien crusener and monument is their first album. ian martin needs no introduction to fans of adventurous electronic music. his versatile style allowed him to release on illustrious labels such as bunker, abstract forms or further records. sebastien crusener has provided all source material in form of field recordings for their project and ian modelled a abstract, minimal and dark ambient album that showcases a bleakness and almost disturbing coldness but yet makes you feel safely encapsulated in a world of comfort and strange beauty. additionally sebastien has kindly provided some wonderful poetry that gives you more insight into the world of opfer. dark ambient at its best. 150 manufactured hand numbered cds in slim line dvd case. the first 100 copies include a limited sheet with poetry by sebastien crusene

erik truffaz zählt zweifellos zu den umtriebigsten jazzmusikern unserer zeit. der bekannte blue-note-kuenstler demonstrierte bereits auf mehr als zehn hoechst abwechslungsreichen alben zu welch abenteuerlichen grenzüberschreitungen er mit seinem jazztrompetenspiel in der lage ist.

the records fundament are slow, powerful beats which hold everything together springintgut has been responsible for the studio production at most times while f.s. blumm, experienced for years in making radio plays, has handled the mixing and collaging of the parts. the bird and white noise invites to join the travels, and in its long arches and bridges it can easily be listened to as a whole. while the opener or eskimono feature the rather lyrical side of the duo, tracks like land ab neu or chitin set more punchy priorities to a heavy bass and 808 drums. chitin is a late climax of the album, building up for minutes to a massive groove in an insect-like, abstract sound world, leaving just enough space for romantic cello lines to break through in the middle. the record has been released exclusively in japan for the duos tour in april 2014 via pingipungs partner label nightcruising in kyoto. pingipung now releases the lp version and the cd worldwide

kalipo is jakob hŠglsperger from berlin who devotes himself to experimental electronica. his debut album yaruto follows a series of remixes and contributions to compilations released by antime and stiff little spinners. on it, hŠglsperger tries to create a both unique and timeless sound that takes cues from dance music, downbeat and gamelan traditions alike. making use of his wide array of analogue synthesizers, a rhodes piano, a metallophone and guitars, hŠglsperger is creating the abstract narrative of an impersonal biography by creating moods that correspond with certain stages of life as well as chopped up vocal samples.

what happens when you combine the ease of a charming voice with the love of experimentation of abstract electronica and traditional brazilian instruments? the result is a unique blend that in this form can only be heard on the new album by sol ruiz de galarreta entitled flying over brazil

nic tvg, aka producer nic taylor, has been lurking in the shadows since 2010, occasionally stepping forward to deliver decidedly dark, murky and unusual blends of drum and bass, abstract electronica and leftfield beats.

das label eglo records, bekannt fuer extravagante veroeffentlichungen im bereich house, hip hop, 2step, rnb, broken beat, boogie, acid, techno und darŸber hinaus, feiert sein 4-jaehriges bestehen. aus diesem anlass erscheint ein rueckblick auf den label-katalog in form dieser deluxe doppel-cd. mit 23 tracks, darunter vier neue exklusive tracks und viele bisher nur auf vinyl erhaeltliche titel, erscheint das label-album-debuet zum ersten mal in einem cd-format. mit dabei: floating points, fatima, funkineven, shuanise, mizz beats, arp 101, gifted & blessed und viele mehr!

basierend auf den highlights seiner wšchentlichen radioshow hat paul van dyk wieder einen leckerbissen an mixset zusammengestellt, das seine geschmackssicherheit und die seiner fans perfekt widerspiegelt. ob trance, house oder progressive, pvd lŠsst einen smash nach dem anderen los, egal welchem derzeit angesagten subgenre elektronischer clubmusik dieser auch zugeordnet werden kann

one of today s biggest movements in electronic dance music, still is the beloved sound of trance. continuing to grow more eclectic with each song it sets forward, the trance scene has won the hearts of millions of music lovers across the globe. for these lovers, armada music presents the armada trance series. going strong for nearly 5 years, the series presents the most essential track, with each season it passes. completing trance collections with never-ending beats, heart-rending melodies and uplifting synths, is armada trance volume 15 . filled with todays hottest trance tracks and future favorites, it takes you on a journey to the tracks of armin van buuren, dash berlin, paul oakenfold and ashley wallbridge, as well as andy moor, matt darey, markus schulz and aly & fila. enjoy the musical journey it takes you on. one big ride of energy and musical bliss!

file under: glitch, abstract, chiptune, dubstep, hip hop

this release is a reissue of two of german producer udo heitfields albums for tresor, from 2000 and 2002 respectively. the passage of time has done little to tarnish the productions and of the two albums, the three untitled tracks from the ways of the bodies have some bearing with dub techno,unfolding in a dreamy, jazzed out manner over the course of 20-30 minutes each. timeless meanwhile is a more ambient work, but heitfield manages to keep the listeners attention with the hour-long all and you, two dreamy, abstract works. that they sound all the more relevant given technos shift towards off-beat sounds is testament to heitfields timeless sound.

klassiker!

arne weinberg aka onmutu mechanicks pres. his first album on echocord. being known for producing deep melodic techno, arnes alias onmutu mechanicks serves as a project for all things abstract and dub-influenced. >nocturne< combines dubtechno and the deep melodic techno that arne is known for. the result is a slightly different take on the genre, ranging from ambientesque soundscapes to dark reverberated and delayed sonic dancefloor affairs and rhythmical experiments in dub. >nocturne< is a statement of pure deepness.

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach